2013 State Fair Sketchout

I will add more text to each image later, but I wanted to get these images posted. This years State Fair sketch was a blast but very very very hot.  I will write the story and medium for each image in the next couple of days. Check back in!

 

 

 

 

 

 

 

Miami Beach Drawings

One of the perks of my job is to travel occasionally. Most of the time I have evenings free to explore and .... of course sketch. This week I was in Miami Beach just in time to start a new sketch book. I also took a lot of progress shots of these drawings and will post them individually later.

 

The best part is finishing off a weeks worth sketching by teaching my Urban Sketching glass at the White Bear Center for the Arts followed up by a class taught by Daniel and Amber for the AIA in the morning. I should be warmed up for the Tuesday St Fair all day sketch!

 

God I love drawing

 

This is the weeks Harvest.

 

First is a mid morning warm up waiting for the plane to take off. Pencil underlay, Staedler Permanent Lumocolor Fine pen, my travel watercolor set.

 

 

 

Recently I have found a group called everyday matters. 365 drawing challenges to go through. #2 was draw a lamp. Sitting in the plane I had 3 right in front of me that probably rarely get sketched. Pentel brush pen and Lexington grey Noodlers ink

 

 

Channeling my inner Dave Worfel from the sketchers group I drew a plane detail from my window. Pencil underlay, Staedler Permanent Lumocolor Fine pen, my travel gouache set.

 

 

On my first night in South Beach I walked up and down looking for a good people watching and sketching place. This place, "The Clevelander" was just too awesome. I had to draw it. There were as many choices of what not to draw as what to emphasize. I wish my pad was taller, but I think I got the feel of the evening. Pencil underlay, Staedler Permant Lumocolor Fine pen, my travel gouache set.

 

 

Sitting in the same place I tried a palm tree without resorting to lines. I am still working on this technique. My challenge is to make it look finished. I am not there yet, but this was fun.

 

 

On the second night I sketched at the restaurant the hotel I stayed was associated with. "The Quinn" was fun to sketch from and a good view. I had an appetizer of Ceviche to start and it wound up being a whole meal both is size and in price.  It also started raining like crazy and I was semi outside but didn't have to move. That was interesting. Pencil underlay, Staedler Permanent Lumocolor Fine pen, my travel gouache set.

 

 

 

On the flight home, Every Day Matters #3 was draw your wallet. Mine is worn out and fun to capture. This needs color put to it before I post it.  Pentel brush pen and Lexington grey Noodlers ink

 

I hope you enjoyed it. Keep Sketching!

 

James Nutt AIA

Water soluble Graphite and Carbon

Playing with water soluble graphite and Carbon

 I have been experimenting lately with water soluble Graphite and Carbon.  Wet Paint had a sample to play with behind the counter.  I made the mistake of spending a few minutes with it.  The possibilities bugged me and bugged me until I went back to purchase it.

At first I bought the carbon disk - Viarco water-soluble carbon disk. Mainly because of the extreme black that seemed easier to get than the graphite.  Also, it cost around $10 and the Viarco artgraf was a little more than $20. However, it did come in a little tin.

My first experiments are below. I used water directly on the disk with a regular water color brush. I also used a plate to keep a mixture of water and carbon. Later I changed to a seashell. This first round was really just playing and also mixing with water color to see what happened.

I really loved using the carbon. It acts a lot like some of the watercolors that are heavier. Daniel Smith makes a water color made from pipestone that acts similar in that the pigment doesn't float around and decide what it wants to do but seems impatient to settle in. Not exactly the same, but kind of close.

The other thing, is that when you are painting and everything is wet, it is really beautiful BLACK and Shiny.  It reminded me of a comedian who described wanting his coffee Blackty Black Black. But two things happen when it dries. It is not as intensely black, and you get a ton of interesting effects you don't see until it dries. The images below are not my first attempt, but show this effect really well.

I had seashells on my desk and decided they were a great subject. Plus I owe a friend a drawing of these since she picked them up for me on her vacation.

First I got the watercolor paper very wet and with a brush painted the outline and let the carbon do whatever it wanted to.

I let that set for a few minutes to settle down and added lines from the shell.

I added another, very heavy wash around the outside seeing how dark I could get it.  I have done this a couple of times in this image.

This is the "finished" product. Note that it isn't nearly so dark, but beautiful, and the hard edges are great. If I were to continue this I would start with a more carbon/less water brush and start to detail out the shell.

Another experiment, done while the sea shell rested, was to use the disk to draw on the paper and then apply water.

This image is after the carbon was on the paper and using a water loaded brush to move it around. I used the brush handle to score a horizon line to see what would happen.

This is the finished product. You can really see the line of the brush handle.  Also note that even though the black is so shiny and wet, your brush strokes will show up when it dries. See the "first line of trees". I did this with the brush loaded with a little carbon to see if it would show up when dry.  Fun stuff.

A few "finished" projects with the Carbon and progress shots

It took several layers reapplied after it dried to get this black.

THE GRAPHITE

I went back to Wet Paint for some other stuff. I was curious about the graphite.  I thought maybe the blacks wouldn't be as black, but the greys were probably softer and subtle.  I lamented that I didn't want to spend $20 and was promptly shown the exact same stuff in a drawing stick for $3-4 dollars.  Perfect, because I think it would be fun to draw with as well and small enough to put in my pack.

The graphite acts very much the same and I am still getting used to it. My first attempt was my hat.  You can see by the image below the blacks aren't as black but the greys are much softer.



My next step with the hat is to add a splash of watercolor. I understand the graphite (and carbon) are not water proof once they dry so I am curious to see the result. I will post the process once it happens!


I hope this was helpful. I love this stuff.

Keep drawing,

James Nutt, AIA